Malcolm Gladwell: The tipping point I got wrong @ TEDNext 2024

During the week of October 21, 2024 I had the pleasure of attending TEDNext, held in Atlanta. The event is a new initiative from the folks who produce the TED Conference. There were enlightening talks, insightful discussions and revealing discovery sessions. This post is the fourth in a series highlighting some of my favorite talks.

TED Talks are one of the best know source of true personal stories. At least as true as a story can be when it’s told by a human with a faulty memory system, which includes all of us. The point being, we don’t intentionally include a false statement in such stories. But what about saying something we feel certain is true? We may do our research and verify the facts, but down the road it turns out that what we presented to the world as fact was actually false.

Malcolm Gladwell became a household name after his book, The Tipping Point, was published in 2000. In this talk, Malcolm refers to a particular point made in the book, one connected to the infamous Stop-and-Frisk policy that was used in New York City as a way to reduce crime. But it turned out, this policy didn’t have any effect on crime, none at all. And now, some 25 years later, Malcolm stepped onto the stage to admit that he got it wrong. While I applaud his making such an admission in public, there was something missing…

Statistically, no relationship between stop-and-frisk and crime seems apparent. New York remains safer than it was 5, 10, or 25 years ago. ~ Brennan Center for Justice at NYU Law

…there was a critical piece of the story he left out — the effects of stop-and-frisk on the victims of this illegal and immoral policing policy. Without mentioning any details of the program — how hundreds of thousands of innocent people were harassed and traumatized, their basic rights violated, how they became victims of racial profiling and suffered both verbal and physical abuse — Malcolm’s talk fell short regarding the impact it could have had.

If you’re wondering about what happened, The Center for Constitutional Rights published a report — Stop and Frisk: The Human Impact — on the practice, and the stories captured highlight the cost to innocent citizens of New York City. I’ve listened to some of the interviews and tried to put myself in their shoes.

Imagine walking down the street and being stopped by the police for no reason other than you’re a person of color. Then having those police officers accuse you of crimes you didn’t commit, sticking their hands in your pockets, and possibly arresting you without probable cause. I wish Malcolm had talked about this.

But Malcolm’s talk brought to light one of the most important aspects of telling personal stories — that everything we say that’s represented as truth is nothing more than what we believe to be true. And if you find out at a later date that you misspoke in some way, hopefully you’ll have a chance to correct your story, and say you’re sorry.

I wrote, “I know this is what happened,” and what I should have said is “This is what I believe happened now,” right? And those words “I believe happened now” have to be at the center of any understanding of how the world works. ~ Malcolm Gladwell

Watch Malcolm’s talk and read through the transcript. I’ve offered up my opinion — which you may or may not agree with — but what matters is what you think. Notice how he opens with a personal experience that sets the stage and lets you know his mindset at the start. The narrative shifts to explaining his research and how he formulated his theory. Ultimately, however, he comes to realize the fault in his logic and concludes with an apology. Overall, a brilliant talk.

Transcript

I want to tell you a story about when I moved to New York City in 1993. I was 30 years old, and I was moving to what was known as one of the most dangerous big cities in the United States. And every night, I would go out with my friends on a Friday or Saturday night, and at the end of every night we would have a little conference and we would pool all of our money, and we would figure out how everyone was going to get home, because you couldn’t go home on the subway by yourself and you couldn’t walk home, and if you were a woman, you definitely were not allowed to go home by yourself at one o’clock in the morning on a Saturday night. That’s what it meant to be in this very scary city called New York.

I used to live in the sixth floor of a walk-up in the West Village, and my bedroom faced the fire escape. And even in the summer, I had no air conditioning, I had to keep my window closed because I was scared that somebody would come down the fire escape into my apartment.

And then one day I woke up and I realized that I wasn’t scared anymore. And I kept the window open. And I realized that when I was going out with my friends, we weren’t having that conference at the end of the evening anymore. We were just going home. This city that I had thought, we all thought, was one of the scariest in the United States wasn’t scary anymore. And I remember at the time I was absolutely transfixed by this transformation. I couldn’t understand it. It was the same city full of the same weird, screwed up people, same buildings, same institutions. Only nobody was murdering each other anymore.

And I would call up criminologists and I would ask them, “What’s your explanation?” And no one could give me a good explanation. And I remember one day — I used to go to the NYU, New York University has a library called Bobst Library. I used to go to Bobst to look for ideas. And I remember one day I was on the sixth floor in the sociology section, HM-1A6, and I was reading back issues, yes, I was, back issues of the American Journal of Sociology, and I ran across an article from 1991 by a guy named Jonathan Crane called “The Epidemic Theory of Ghetto Life.”

And I’m going to read to you how it began. “The word epidemic is commonly used to describe the high incidence of social problems in ghettos. The news is filled with feature stories on crack epidemics, epidemics of gang violence, and epidemics of teenage childbearing. The term is used loosely in popular parlance, but turns out to be remarkably apt.”

And what Crane was saying is that if you look at these kinds of social problems, they behave, they come and they go, they rise and they fall exactly like viruses do. He was saying that that term epidemic is not a metaphor. It’s a literal description. And I’ll never forget when I read that little paragraph and I was standing in this aisle in Bobst Library, and, you know, it’s a library. It’s got that hush and that musty smell of books. And I’m reading this crazy article from 1991, and I remember thinking to myself, oh my God, that’s what happened in New York.

We had an epidemic of crime. And what is the hallmark of an epidemic? It’s the tipping point. It’s the moment when the epidemic order goes up all at once or crashes all at once. And so I wrote an article for “The New Yorker” magazine called “The Tipping Point,” which was my attempt to use this theory to explain what happened in New York. And then I, because of that article, got a contract for a book called “The Tipping Point,” which did very well. And that book led to another book and another book and another book.

And I am standing here today because of that moment in the library 25 years ago. So “The Tipping Point,” my first book, was about all kinds of things. I talked about Hush Puppies and Paul Revere and teenage smoking. But at the heart of it was a chapter on why did crime decline in New York. And in that chapter I talked a lot about a theory called broken windows theory, which was a very famous idea that had been pioneered by two criminologists called George Kelling and James Q. Wilson in the 1980s, very influential article, in which they argued that very small things in the environment can be triggers for larger crimes.

That essentially small instances of disorder are tipping points for very serious things like murder or rape or any kind of violent crime. It was an epidemic theory of crime, and the New York City Police Department took that idea very seriously. And one of the things they began to do in the 1990s during this crime drop was to say what this argument means is that we can’t be passive anymore. We have to be proactive. We have to go out there and if someone is jaywalking or jumping a turnstile or doing graffiti or peeing on the sidewalk, we’ve got to stop them.

And if we see a young man walking down the street and he looks a little bit suspicious, we’ve got to stop him and frisk him for his weapons. That’s how the NYPD interpreted the broken windows theory in New York. And my chapter was how millions of people around the world came to understand the crime drop in New York, that it was all broken windows. And here’s the thing that I have come to understand about that explanation I gave of why crime fell in New York.

I was wrong.

I didn’t understand this until quite recently, when I went back and I decided on the 25th anniversary of my first book, “The Tipping Point,” that I would write a sequel. It’s called “Revenge of the Tipping Point,” and I went back and, for the first time in a quarter century, I reread my original book. I’m not someone who likes to revisit things, but I did it, and it was a uniquely complicated experience. It was like looking back at your high school yearbook. You know, when you see yourself and you have some combination of, “Wow, I look young,” and also, “Wow, I really wore that?” It was like that.

And what I realized is that in the intervening years since I wrote that explanation of why I think crime fell in New York, the theory of broken windows had been tested. There was a kind of classic natural experiment to see whether that theory worked. And the natural experiment was a court case, maybe one of the most famous court cases in New York history called Floyd v City of New York. It involved a young man named David Floyd, who had been stopped a number of occasions by the NYPD and was the face of a class action lawsuit that said the practice of stopping young men, largely young men of color, just because they look a little suspicious to police is not constitutional.

You can’t do that, right? And to everyone’s surprise, the Floyd lawsuit goes before a federal judge. And the federal judge rules in David Floyd’s favor. And overnight, the broken windows era in New York City policing ends. And the NYPD goes from — In 2011, they stopped and frisked 700,000 young men, right. And after the Floyd lawsuit was decided in 2013, that number drops to less than 50,000. So this is the perfect natural experiment. You have New York before Floyd and New York after Floyd.

Before Floyd, the principal tactic of the NYPD is stopping everyone they can. And after Floyd that goes away. They can’t do that anymore, right? This is the perfect test case for whether you think that’s why crime fell in New York. And if you believe in the power of broken windows policing, then your expectation has to be that after the Floyd case, when broken windows goes away, crime is going to go back up, right?

And I should tell you that in 2013, in the wake of the Floyd case, everybody thought crime was going to go back up. The NYPD thought that, the city government thought that, the pundits thought that, even the judge who wrote the opinion saying that stop and frisk was unconstitutional, said in her opinion that she strongly suspected that as a result of this opinion, crime would go back up. I thought crime was going to go back up, right?

All of us had internalized the logic of broken windows. We said, yes, we know this strategy poses an incredible burden on young men, but what choice do we have, right? You know, if the choice is being stopped repeatedly by police or being killed, maybe we’re better off with the former than the latter. This is the price we pay for a safe New York, right? So what happens after the Floyd case? Stop and frisk goes away and crime falls.

In fact, crime in New York City undergoes a second, even more miraculous decline, right? And what’s interesting about this is, you know, when the first crime declined in the 1990s, you see that decline almost everywhere in the United States, not quite as steep as New York, but crime goes down everywhere. And then in every other city in the United States, crime plateaus. But New York gets rid of broken windows, and crime starts to fall and fall and fall all over again.

To the point by 2019 that New York City is as safe as Paris, which is not a sentence I ever thought anyone would ever say in my lifetime. And what we realize in that second crime decline is that it wasn’t broken windows. It’s not indiscriminate policing that causes crime to fall. Rather, it is the intelligent and thoughtful and selective application of police authority that causes crime to fall.

Now, there’s a couple of really puzzling things here. One is that people don’t seem to have internalized the fact that New York underwent this second, even more dramatic crime fall. People still act like it’s the year 2000 when it comes to making sense of New York. You know, a whole bunch of very, very wealthy hedge fund guys have very loudly left New York for Miami in recent years. And they all say, when they’re packing up their offices in New York, “We can’t take the crime anymore.”

Well, violent crime in Miami is twice as high as New York City. If they were really concerned about violent crime, they would leave Coral Gables before they get murdered and move to the Bronx, where it is a whole lot safer.

The other even more important thing, though, is that people act like stop and frisk actually worked. No one seems to have internalized the lesson of the great Floyd case natural experiment. If you listen to people — I’m not going to name their names, but people going around the country now campaigning for higher office, they will say things like, “It’s time to bring back stop and frisk and broken windows policing. It worked so well in New York.”

They’re acting as if we didn’t have that great moment of understanding in 2013. And for that, for that misunderstanding, I think I bear some of the blame. I was the one who wrote this book saying this was the greatest tactic ever in stopping crime. Now, how do I make sense of my mistake? Well, I can give you all kinds of excuses. You know, I can say I’m not a fortune teller.

I didn’t know that David Floyd was going to come along 10 years after I wrote my book and give us this great test case in broken windows policing. You know, I could say that, you know, I was just writing what everybody believed back in the 1996 and 1997. But I don’t think those excuses hold any water whatsoever.

I think that journalists, writers need to be held to a higher standard, right? I wrote —

I told a story about how crime fell in New York, and I told the story like the story was over. And like I knew what the answer to this story was. And it wasn’t over and I didn’t know the answer, right? I wrote, “I know this is what happened,” and what I should have said is “This is what I believe happened now,” right? And those words “I believe happened now” have to be at the center of any understanding of how the world works.

We have to acknowledge that we are representing the position of this very moment, and that that position could change if the facts change, right? The great desire of any writer is to write a book for the ages, that will forever explain the way things are, but that’s not possible, and no one should ever try. That was my mistake. And I’m sorry.

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Crimson Letters: Voices from Death Row

I’ve spent a lot of time in prison. Not as an inmate, but instead coaching inmates, helping them craft their personal stories. Stories destined to land on a stage at TEDxDonovanCorrectional in 2017 and 2018. Donovan Correctional Facility is a California State prison, located at the very southern edge of San Diego County, overlooking the international border shared with Mexico.

To say that the experience was profound would be an understatement. Many of these men had spent the majority of their adult lives incarcerated, which in the beginning led me to question whether they had much in the way of wisdom to share with an audience. But over a two year period I continued to be impressed by the insights, the compassion, and the empathy that formed the foundation of their stories. If I had been talking to them on the phone, I would have assumed they were college educated.

The Longform Interview

So when I read the description for the Longform Podcast with Tessie Castillo and George Wilkerson, I dropped everything to have a listen. While I had heard many stories from prison, none of those stories had come from inmates on death row.

“I want other people to see what I see, which is that the men on death row are human beings. They’re incredibly intelligent and insightful and they have so many redemptive qualities…I don’t think I could really convey that as well as if they get their own voice out there. So I wanted this book to be a platform for them and for their voices.”
–Tessie Castillo

“For me, writing was like a form of conversation with myself or with my past, like therapy. So I just chose these periods in my life that I didn’t really understand and that were really powerful and impactful to me, and I just sat down and started writing to understand them and make peace with them.”
–George Wilkerson

Instead of the usual format, whereby host Aaron Lammer interviews an author, in this case Tessie Castillo, the twist to this episode was calling death row inmate George Wilkerson to bring his voice from inside prison to the outside world.

As often happens in life (I could never have predicted that I would spend time coaching inmates inside prison) Tessie had no connection to death row or the death penalty when she met someone at a Super Bowl party who happened to be a psychologist working with death row inmates at a prison in Raleigh, North Carolina.

When she found out that the new warden was permitting classes on death row, Tessie applied to teach a journaling class. Her discovery of who these men had become was similar to my own. It would behove you to spend 43 minutes listening to the interviews. You’ll come to view men on death row in a new light.

Essays From Death Row

Beyond the Longform podcast, and the basis for the conversation, was the book Crimson Letters: Voices from Death Row, written by Tessie Castillo and death row inmates: George Wilkerson, Terry Robinson, Michael Braxton, and Lyle May.

Crimson Letters by Tessie Castillo

Through thirty compelling essays written in the prisoners’ own words, Crimson Letters: Voices from Death Row offers stories of brutal beatings inside juvenile hall, botched suicide attempts, the terror of the first night on Death Row, the pain of goodbye as a friend is led to execution, and the small acts of humanity that keep hope alive for men living in the shadow of death.

Each carefully crafted personal essay illuminates the complex stew of choice and circumstance that brought four men to Death Row and the cycle of dehumanization and brutality that continues inside prison. At times the men write with humor, at times with despair, at times with deep sensitivity, but always with keen insight and understanding of the common human experience that binds us.

Beginning with the journaling class that she started, Tessie frames the narrative from the perspective of someone who has walked the halls and forged story-based bonds with the men. The series of essays that comprise most of the book take you inside the hearts and minds of these inmates, as well as take you back in time to share the trauma of their childhood experiences.

After spending time with these men and listening to their stories, I don’t claim to know them thoroughly or to fully comprehend why they did what they did. Nor do I defend the crimes of any many on Death Row…But I will defend their humanity because I see it every time I walk through those prison doors.
–Tessie Castillo, excerpt from the Raleigh News & Observer, May 2014

It took me back to my time at Donovan, hearing about lives so different than my own, making it difficult to predict how I would have acted in such circumstances, how my life would have turned out. It’s not a matter of blaming others, or wanting a hall pass for mistakes, but the harsh reality is that downward spirals are challenging, even for the best of us, especially when navigating through a turbulent world of drugs, crime and violence.

The spankings had started a year before our mom left. At first it was just a few pops on the butt every couple weeks or so. But as time went on, the slaps hardened and became more frequent, the bruises took longer to heal. Then he began whipping off his heavy leather belt and the slaps turned into punches that cracked bones.
–George Wilkerson

One of the most difficult aspects of spending sixteen years on Death Row is being stowed away from the outside world. Unlike other facilities, Death Row implements a measure of isolation that wedges a gap in the mental evolution of its denizens.
–Terry Robinson

Our culture was built on three main pillars: Fightin’, stealin’, and gettin’ drunk. Fightin’ was a rite of passage and it determined your position in the hood hierarchy. The better you were at fightin’, the higher your status.
–Michael J. Braxton

In prison, night’s hourglass has extra holes in it. When sleep comes, gone are the plodding daylight hours, confining walls, and thoughts of letters. Sleep is relief for most of us. With this blessed comfort comes dreams of love, companionship, and peace. Desires glow so vivid and deep that reality is a disheartening comparison. Sleep cannot be degraded, beaten or chained. In sleep lies our freedom.
–Lyle May

“I believe that little separates people inside Death Row from those outside it. We are all a complex jumble of hopes, dreams, virtues and mistakes. We strive to be better people. We often fail. Being human is learning to rise again – as these me do, despite the odds – to prove we are more than our worst crime.”
–Tessie Castillo

Time to Reflect

While there is a dark sadness within some of the pages, there is also bright joy that comes from these four big hearts. And though it may not be an intuitive conclusion, as I finished the last page the notion occurred to me that these men have learned more about themselves, and applied that learning to become far more compassionate humans than most of us ever will while we blissfully enjoy our ‘freedom’.

Death Row isn’t a place that lacks humanity, like some people say. It is where humanity is rediscovered and restored. On Death Row the meaningfulness of life tremendously exceeds the inevitability of death. We are all human beings and as such we’re prone to mistakes, but many inmates are simply paradigms of the great fall before triumph. Our humanities are not beyond repair and any judicial system that conceptualizes such nonsense is flawed. To give up on a person’s humanity says a lot about our own. We can never fully share in the humanity of others until we have recognized and repaired our own tendencies towards cruelty and unconscious bias. This means forgiveness, accountability, faith, and in many cases a second chance. No matter our personal or collective opinions, no one will ever deserve to die.
–Terry Robinson

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The Modern Story of Strange Fruit, with Dianne Reeves and John Beasley

Racial discrimination is a sad reality throughout the world, and sadly, still a significant aspect of American culture. From the advent of slavery in the South, to fighting a Civil War in hopes of bringing the practice to a close, and the current state of affairs after many centuries. It is a story we wish had never been written. A story whose narrative arc still requires a remedy.

“Strange Fruit” was written 80 years ago describing the horrific practice of lynching innocent African-Americans by white people. It’s unconscionable and unacceptable that lynching is still happening today and also that the justice system failed Ahmaud Arbery. It was only after public widespread outrage followed the release of the horrific video which showed evidence of a racist father-and-son team shooting an unarmed Arbery to death.

John Beasley and Dianne Reeves collaborated on this video as a way to protest the continuing brutality and racism against African-Americans.

Directed & Edited by Anthony C. Santagati
Executive Produced by Aja Burrell Wood
Music Produced and Arranged by Dianne Reeves (vocals) and John Beasley (keyboards)
Nicolas Payton – trumpet
Terreon Gully – drums
Alex Al – bass
Composer: Abel Metropol

Black people are so tired.
They can’t go jogging (#AmaudArbery).
They can’t sleep (#Breonna Taylor+#AiyanaJones)
They can’t walk home with Skittles (#TrayvonMartin).
They can’t relax in the comfort of their own homes (#BothemSean and #AtatianaJefferson).
They can’t ask for help after being in a car crash (#JonathanFerrell and #RenishaMcBride).
They can’t have a cellphone (#StephonClark).
They can’t leave a party to get to safety (#JordanEdwards).
They can’t play loud music (#JordanDavis).
They can’t sell CDs (#AltonSterling).
They can’t walk from the corner store (#MikeBrown).
They can’t play cops and robbers (#TamirRice).
They can’t go to church (#Charleston9).
They can’t hold a hair brush while leaving their own bachelor party (#SeanBell).
They can’t party on New Years (#OscarGrant).
They can’t get a normal traffic ticket (#SandraBland).
They can’t lawfully carry a weapon (#PhilandoCastile).
They can’t break down on a public road with car problems (#CoreyJones).
They can’t shop at Walmart (#JohnCrawford)
They can’t have a disabled vehicle (#TerrenceCrutcher).
They can’t read a book in their own car (#KeithScott).
They can’t be a 10yr old walking with their grandfather (#CliffordGlover).
They can’t decorate for a party (#ClaudeReese).
They can’t ask a cop a question (#RandyEvans).
They can’t cash their check in peace (#YvonneSmallwood).
They can’t take out their wallet (#AmadouDiallo).
They can’t run (#WalterScott).
They can’t breathe (#EricGarner).
They can’t live (#FreddieGray).
They’re tired.
Tired of making hashtags.
Tired of trying to convince you that #BlackLivesMatter too.
Tired of dying.

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Unraveling the Tangled Web of Slavery

One of the beautiful aspects of storytelling in the digital world involves the inclination of the story you’re reading (or watching) to magically lead you by the hand, so to speak, to another relevant and connected story, sort of like a squirrel scampering from one branch to the next.

In my case, this act of magic happens after I receive a Nieman Storyboard email newsletter. Case in point, within the December 27th edition Jacqui Banaszynski mentioned that she looks forward to magazine freelancer Barry Yeoman’s annual list of favorite longform stories.

The 2019 version is a diverse and thought-provoking list, with something for everyone, so do dive right in, there’s a special treat waiting for you there. One story Jacqui highlighted was “The Long Road Home” by Deborah Barfield Berry and Kelley Benham French of USA Today.

The 40 hour journey of Wanda Tucker from Virginia to Luanda, Angola also spans some 400 years, back to the days when Africans were taken from their homeland and forced to live in, what was at the time, the English colonies.

It’s a heartbreaking story, reminding us that certain groups of humans, throughout history and into the present day, believe that having darker skin is proof enough that someone else isn’t completely human. (although it seems more logical that the reverse is true, but I digress)

Those in power justified slavery with the values at the time – prosperity, survival, the cleansing of souls and the expansion of the empire.

Having moved to Portugal a few months ago I’m still in the very early stages of learning about the country’s history, especially those aspects which involve colonization. My naive view had limited that topic to just Brazil, but I am coming to realize the complexity of Portugal’s history.

It was the article on Wanda Tucker that opened my eyes to Portugal’s involvement in Africa, as well as their participation in the slave trade, especially the slave trade in Angola. How did I not know this? Did they not teach me this in school? Or had I conveniently forgotten? I was shocked by the brutality of it all, as slave traders would often capitalize on the dynamics of warring factions within Angola’s borders.

The Portuguese gave guns to Imbangala soldiers in return for slaves. Armed with superior weapons, Imbangala soldiers captured and sold natives on a far larger scale as every new slave translated into a better-armed force of aggressors.

Capture and Coffle of Enslaved Africans

“Capture and Coffle of Enslaved Africans, Angola, 1786-87”, Slavery Images:
A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora

Unfortunately, it is all too common to limit an understanding of history to our own, localized situation rather than fully embrace the big picture. While I knew that slaves were brought to America from Africa, my thoughts centered on the plight of these slaves once they were living in the deep south – how they were treated, how they were ultimately emancipated, how they are still treated by many – not on the point of origin, method of capture, or the participation of European countries playing ethnically superior colonial rulers. I was missing half the story.

I’m far from done with my newfound quest to better understand the history of slavery in America, as well as the lingering remnants of ethnic prejudice and discrimination that still exist within much of the population. And this quest will serve as a reminder to look beyond the immediate scope of any (every) story created within the confines of limited knowledge.

Do read the USA Today story about Wanda Tucker, and if you’re in the process of crafting a personal narrative, ask yourself what truths lie one step beyond, one lever deeper. They may help you create a more impactful story.

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We were all humans until…

It had been awhile since this anonymous quote crossed my path, but I recently noticed it on a friend’s social timeline and realized it had achieved a newfound sense of resonance with me.

We were all humans until race disconnected us, religion separated us, politics divided us, and wealth classified us.

From a storytelling perspective it felt as though we had somehow stopped telling our story of connection, commonalty, a shared human heredity, and most importantly, a united future.

Hate and discrimination had somehow become acceptable, with divisiveness and rancor the norm. Religious travel bans, violence against people of color, and the continued verbal and physical abuse of women have defiled what America was striving to become – a land of open arms and caring hearts, a land that opted for hope over fear, that embraced love over hate.

“We are a nation not only of dreamers, but also of fixers. We have looked at our land and people, and said, time and time again, “This is not good enough; we can be better.” – Dan Rather, What Unites Us: Reflections on Patriotism

Multi-Ethnic Hands in Peace

As I continue to work with a wide array of speakers, from universities, research institutes, major corporations, prison inmates, and special forces, I’m reminded that our stories have the power to heal all wounds, bridge all chasms, and unite all humans.

On a daily basis we have the choice to stand up and say, “This is not good enough; we can be better.” In doing so we can change this sadly fractured American narrative. But it requires our stories to be told, our voices to be heard, and our compassion to be felt.

June 2020 Update

It’s been a week since police killed George Floyd on May 25, 2020, adding his name to a lengthy list of victims that now includes: Michael Brown, Ahmaud Arbery, Tamir Rice, Trayvon Martin, Philando Castile, Sandra Bland, Breonna Taylor, Atatiana Jefferson, Botham Jean, Samuel DuBose, Alton Sterling, Jeremy McDole, Jonathan Sanders, Ezell Ford, Andy Lopez, Akai Gurley, John Crawford III, Antonio Martin, Walter Scott, Jonny Gammage, Freddie Gray, and Eric Garner.

The world grieves, families cry, people take to the streets in protest, while the president of the United States proclaims, “We have our military ready, willing and able, if they ever want to call our military. We can have troops on the ground very quickly.”

The answer? That’s the question on everyone’s mind. I hear various words mentioned – love, empathy, compassion, equality, justice. But words are not an answer. Someone says we need to embrace and celebrate our diversity. I agree, but how do we get from here to there?

The Civil Rights Act of 1964 was signed into law by President Johnson at the White House on July 2, 1964. Though we should remember that Johnson’s signature came after a 54-day filibuster in the United States Senate. Equality was a struggle then, and remains so to this day, nearly 56 years later.

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